Home Celebrity News Beyoncé has helped usher in a renaissance for African artists

Beyoncé has helped usher in a renaissance for African artists

By James Chikomborero Paradza

Beyoncé has helped usher in a renaissance for African artists

SINGER Beyoncé has released her seventh solo studio album, titled “Renaissance” (2022).

The album, an event in global popular culture, is the first of a three-part project by the US artist. Her previous outing, the visual album “Black is King” (2020), collaborated with a host of African artists.

“Renaissance” pays tribute to black dance music and again features African artists, including Nigerian singer-songwriter Tems, who is having a global moment of her own.

In history, the renaissance era (from the 1400s) was characterised by the rebirth and renewal of culture and scholarship in Europe following a period of stagnation.

Today, still, art – paintings, music, fashion – contributes to how people dress and behave, what they choose to post and talk about and how they perceive themselves and society.

For the last three decades, Beyoncé has played a major role in shaping global popular culture. She has continuously empowered listeners and sparked debate and her lyrics have often been quoted in discussions on societal issues.

Her views on monogamy on the album “Dangerously in Love” (2003), for example, offer a counter narrative to the patriarchal depiction of hypersexuality in black women.

On “Lemonade” (2016), Beyoncé uses music genres beyond those expected of a black female artist. In the process she challenges the discrimination she faces.

On “Black is King” she reflects a renaissance of African art forms in a time when cultural norms dominated by western thinking are on the decline and Africa’s star is rising in popular culture.

In this article, I argue that throughout her career, Beyoncé has contributed to a renewal of various narratives in popular music and has in so doing engaged meaningfully with African culture and music.

African collaborations

Beyoncé has involved various African artists in her projects and many a time introduced them to international audiences.

Before “Black is King”, these include poetry by Kenyan-born Warsan Shire on “Lemonade”, a quote by Nigerian novelist Chimamanda Ngozi Adichie on “Flawless” (2013) and choreography by Tofo Tofo – the Mozambique-based dance group – in the “Run the World (Girls)” video.

Though not as prominently as on “Black is King”, Beyoncé has included African artists on “Renaissance” too, particularly on the song “Move”, which has an Afrobeats-inspired style and features P2J (Nigeria) and GuiltyBeatz (Ghana) as producers, as well as Tems as a writer and performer.

Tems (Temilade Openiyi), a versatile vocalist who also writes songs, rose to fame after being featured on “Essence” (2020) by Nigerian star vocalist WizKid.

Beyoncé has helped usher in a renaissance for African artists
Tems accepts Best Collaboration Award at the BET Awards 2022 at the Microsoft Theater in Los Angeles, California, U.S., June 26, 2022. REUTERS/David Swanson

Her discography consists of music across different genres, including alternative R&B, neo-soul and Afropop. Her debut single “Mr Rebel” (2018) displays her R&B talents (as both a producer and vocalist), while her 2021 feature on Canadian rapper Drake’s “Fountains” shows her ability to convey emotions through her voice.

Tems’ name is on everyone’s lips following the release of the trailer for the “Black Panther” movie sequel set to her cover of Bob Marley’s “No Woman, No Cry”. She has contributed to the renewal of perceptions towards Afropop and commercial African music, and its popularisation across the globe through her unique style of music.

Black is King

“Black is King”, Beyoncé’s previous album, is a celebration of African traditions with a “modern twist”.

In the visual album, she incorporates a Pan-African-inspired lens and integrates elements from several African countries. She partners with various African actors, directors, designers, choreographers and musicians, highlighting the continent’s diversity.

Viewers are exposed to African elements ranging from music genres like Afrobeats (Nigeria) and gqom (South Africa) to popular dance styles like the Network (Ghana) and Kpakujemu (Nigeria). There are also visuals of landscapes across the continent.

Beyoncé must not mistakenly be credited with originating these elements, nor even popularising them. They existed and were appreciated by people long before she started filming.

However, one cannot deny the instrumental role Beyoncé has played in bringing these elements to the forefront of global popular culture as a result of her platform as an international star.

Moreover, the visual album portrays a more accurate representation of the African continent and its diversity than other works that adopt an African label in global popular culture.

“Black is King” has introduced a renaissance of Africa’s image in popular media and empowered many African and black people as they finally feel more represented in mainstream popular culture.

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